The other day I went to an event and it was about creative portraiture, or conceptual photography. I tend to call conceptual photography Fine Art Photography. The event was to teach people how to do conceptual photography. I didn’t stay for it, I realised after a while that it really wasn’t for me and is something I have been doing for many many years.
Over the last couple of days since I went I have been thinking about the word conceptual and how it applies here. It is one thing to do it, and another to be able to explain what it is to other people. I thought in this post we could look at what conceptual photography is, or rather my understanding of it. It really isn’t as complicated as it sounds.
You start with an idea, that idea can come from anywhere. You see a scene in a movie and suddenly ideas for images are bouncing around your head. Maybe you open a magazine and more ideas start happening. You start thinking about how this image could come together. What do you need to make it happen? Where are you going to take the photos? Do you need some props? Do you need a model and who will that model be?
You have a concept of what you want, now you just need to make it happen. That is conceptual photography, at least how I understand it to be.
I have included an image with this post, the image is called “The Woodland Bride”, an image I took last year. I am going to talk about how the idea started, and how I made my conceptual image a reality.
I had been watching some things on the internet with an artist who was using cheesecloth to make costumes. I liked the idea of it, but didn’t want to do exactly the same. I was also fascinated with the idea of brides. I think it was because I had been asked to photograph a wedding. I wondered what it would be like to photograph someone dressed like a bride, but use the cheesecloth and make it all raggedy. When I got married I didn’t have a traditional wedding, I didn’t really have a wedding dress, and this idea has been festering in my head, the idea of the bridal gown, that was never worn, but keeps coming out. Worn out by time. There was the basic concept.
I talked to a friend and she said she would model it for me. She said that there was this beautiful spot up at her fathers house that she thought I would like. She was right, I did like it. I dressed her, or rather put the fabric around her to make her wedding gown. I tore it more as I was doing it. Then I gave her the veil. I put it over her face because I wanted her to be anonymous. We realised we didn’t have a bouquet, every bride should have one. We looked around and I started picking up sticks. The sticks were perfect with the concept. While not originally part of the concept initially they worked well with it.
During the shoot I took many images, but this is the one that seemed to work the best. I am very pleased with how it came out.
This is how I come up with my ideas, and I am sure many of you have been doing conceptual photography for a long time and didn’t realise that you were.
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